BİO

Oğuz Büyükberber (b. 1970) is an Amsterdam-based composer, bass clarinetist, electroacoustic performer, and visual artist whose work operates at the intersection of contemporary composition, avant-garde improvisation, modular synthesis, and visual arts.

Büyükberber holds a Master of Music degree from the Conservatorium van Amsterdam—where he studied bass clarinet with Harry Sparnaay and composition with Theo Loevendie, Guus Janssen, and Roderik de Man—alongside formal studies in Fine Arts and Architecture at Mimar Sinan University in Istanbul. His theoretical work on harmonic systems culminated in a pedagogical method book published by Donemus, establishing novel methodologies for pitch organization and structural coherence.

His extensive discography encompasses over 60 commercial releases, including acclaimed record labels such as ECM and Blue Note.

As an avant garde jazz clarinetist, Oğuz Büyükberber has shared the stage with Gerry Hemingway, Simon Nabatov, Nils Wogram, Craig Harris, Ches Smith, John Zorn and many others, while exploring raw voltage control and analog modular synthesis with his alter ego artist name OX Barber.

His creative practice has gained significant international critical acclaim, featured in leading music publications such as DownBeat and The Wire, as well as on major international television and radio broadcasters including Mezzo, Concertzender, ÖRF, VPRO, TRT, RBB and SWR.

As a teacher and researcher, Büyükberber has delivered masterclasses, lectures, and guest professorships at international institutions, including Brigham Young University, Zurich University of the Arts (ZHdK), ArtEZ Conservatory, Whitman College, University of New Mexico, University of Tennessee, Istanbul Bilgi University, Latvian Academy of Music, University of Nottingham, Estonian Academy of Music, Electronic Music Malta, and Izmir Yasar University. He has undertaken artist residencies at STEIM (Amsterdam), EMS (Stockholm), Willem Twee Studios (’s-Hertogenbosch), and WORM (Rotterdam).

His compositional portfolio features major commissions for ensembles and institutions across Europe, including the Kairos String Quartet, Marc Sinan Company, Orkest De Ereprijs, Dresdner Sinfoniker, BIMHUIS, STEIM, Akbank, Spreehalle, Karnatic Lab, Spinifex Orchestra, AXYZ Ensemble, and David Kweksilber Big Band.

Combining fine art exhibitions with electroacoustic performance, Büyükberber continues to push the boundaries of multi-sensory compositional praxis.

Awards and Achievements:

“10 masters, 10 albums” Lifetime contribution award, Kuru Kahveci Mehmet Efendi-Hayyam Studios Turkey 2025

4, 1/2 stars Downbeat Magazine 2018

Carte Blanche - Bimhuis 2012

Carte Blanche - Akbank Jazz Festival 2010

Best Instrumentalist - Readers Poll and Critics Poll Jazz Magazine Turkey ‘96, ‘97, ‘98

Best Instrumentalist - National Music award for university students Turkey ‘93

First Prize Entrance Exam of Mimar University of Fine Arts ‘87

Numerous national and international painting and poetry competitions in the ‘70s and ‘80s.

projects

PROCESSING

A staged Audio Visual Performative Composition accompanied by an album release

2023

For clarinet, Bass Clarinet, Modular synthesisers, Live electronics and Live Drawing

Commissioned by Pantopia Music and Spreehalle, funded by Kulturstuftung des bundes and Die Beauftragte der Bundesregierung

Click here to listen to the album

Read the interview on Fenestra

Ox barber

abstract beats, glitchy textures and complex melodies

KARA KUTU BASAN KALEM

Modular synthesizers and a Dada inspired nonlinear text. Recorded at Erica Synths HQ

Read the interview about the ERICA SYNTHS RESIDENCY

Oğuz Büyükberber trio

Oğuz Büyükberber Alto Clarinet

Demirhan Baylan Bass

Cem Aksel Drums

Oğuz Büyükberber, Marc sinan duo on ecm

white

Click here for the review on downbeat

Album info on ECM website

Publications

SPIRAL

A book on generating pitch content for improvisation/composition

Published by Donemus Music Publishing

Concerto for Bass clarinet and orschestra

WHERE ARE YOU FROM?

Concerto for improvising bass clarinetist and 18 Piece Orchestra

2021

Commissioned by Orkest de Ereprijs Funded by Fonds Podiumkunst

claim

For solo Clarinet

Published by Donemus Music Publishing

Over 60 album releases

in CD, LP, Cassette and Digital format 1995-present

ECM, Blue Note, EMI, Trytone, Pantopia, AK, ADA, Lin Records, Bilgi Music …

art

Commissioned and personal works (Paintings, video art, animation, drawings, installations) shown at Muziekgebouw, Super Delux Tokyo, Dresden Japanese Garden, Spreehalle, Van Gogh Museum, ZHdK, STEIM, Frichzelle Festival Cologne, Paradiso Amsterdam, BE Contemporary…

Quotes

“The pair’s highly expressive phrases diverge, but periodically arrives at a striking juncture, either by chance or design their every note and gesture a sonic delicacy.”

Martin Langley / Downbeat Magazine From his ****1/2 review of the ECM Records CD “White” by Marc Sinan and Oğuz Büyükberber

"Büyükberber and Klein are adept at holding the compositions together even as they push the limits beyond formal constructs. The musicianship is first rate..."

Karl Ackermann / Allaboutjazz About the CD Reverse Camouflage by Oğuz Büyükberber Tobias Klein Duo

“It is clear in all of the pieces that fluidity as well as unpredictability of water underlies the playing of both musicians. There is always an element which challenges both performers yet ultimately lifts the music to a higher level where the musicians "collide". Nowhere do Sophie Hassfurther and Oguz Büyükberber get into trouble with each other, the elusive nature of water does indeed characterize their unity...” 

Rinus van der Heijden / jazznu.com About the CD "Mind Like Water" by Oğuz Büyükberber Sophie Hassfurther Duo

"An open, curious attitude attracts and characterizes him as a musician"

Henk Jansen De Klarinet Magazine

Büyükberber shows himself to be a flexible soloist who draws his musical lines between introverted and extroverted and who covers the entire spectrum of his instrument

Opduvel

Listen

Oğuz Büyükberber on Apple Music

Oğuz Büyükberber Trio on Apple Music

Ox Barber on Apple Music

Artistic statement

My creative practice is fundamentally defined by the phenomenology of visual constraint and its translation into musical morphology. Living with approximately 5% total vision, devoid of depth perception, my navigation of sensory space requires high-contrast boundaries, pronounced structural edges, and saturated linear clarity. Rather than treating visual impairment as an external limitation, my work operationalizes these sensory parameters as primary generative forces. The bold, angular melodic trajectories and rigorous harmonic frameworks that characterize my compositions reflect the precise visual strategies I utilize to organize, retain, and navigate complex artistic structures.

Over the past decade, progressive sight degradation has prompted a critical shift in both my aesthetic focus and my technological medium. Experiencing visual distortion and sensory ambiguity has led me to move from software environments back to tactile and material based workflows I grew up with and love. Concurrently, my creative output has embraced critical disability perspectives, employing autoethnographic frameworks to articulate the psychological, sensory, and social disorientations imposed by an inaccessible world.

My practice operates within a continuous reciprocal loop between visual art, acoustic performance, live electronics, and written text. Formed by my early training in architecture and fine arts at Mimar Sinan University, and advanced studies in contemporary bass clarinet performance and composition at Conservatorium van Amsterdam, my methodology integrates strict compositional structures with rigorous avant-garde improvisation. Through graphic scoring and micro-gestural exploration, I cultivate an artistic space where formal discipline and spontaneous exploration converge.